Thursday, December 17, 2015
I must admit I had never heard of Connie until a couple of weeks ago. I discovered her music purely by chance on the same day I found Sibylle Baier on Youtube. I was looking for a song by Anne Briggs at the time. I stumbled across Connie and listened to one song which aroused my interest and I ordered a CD called How Sad, How Lovely which is the title of one of her songs. The package arrived today and I must say it is a most attractively designed album as well. It contains a really nice booklet which includes contributions from her brother and also the man who first recorded her songs.
I'll just tell you briefly what I know about Connie. She was born Elizabeth Eaton Converse in 1924 in New Hampshire into a strict Baptist family. At School she was quite brilliant and won a scholarship to Mount Holyoake College but dropped out after two years and moved to New York City where she lived in Greenwich Village which was the centre of the Bohemian world in 1950's America. It was here that she acquired the nick-name Connie because she came from Concord. It was at this time that Connie first began to write poems and songs and accompanying herself on guitar. She came to the attention of Gene Deitch who is a famous animator who recorded Connie's songs at his home in the mid-50's. She failed to attract any commercial interest though apart from one appearance on a TV Show presented by Walter Cronkite. In 1961 the year that Bob Dylan arrived in New York she left Greenwich Village and moved to Ann Arbor Michigan. I think that was a shame because a year later the whole world was following the Folk Scene in New York and she could have been part of it and got the attention her music deserved. Anyway, well over a decade after she dropped out of college Connie returned to academic life and worked her way up to being Managing Editor of 'The Journal Of Conflict Resolution'. Her only music interest was playing for family & friends. By the early 1970's though she was suffering with depression and her employer and friends pooled together to send her on a six month sabbatical to England. Connie described this trip as one of the only times in her life she was allowed to have 'unproductive fun'. I wonder where she went in this country and who she met?. Finally in 1974 she made her decision to disappear.
After I had read the booklet I played the CD and I must say now after listening to it twice I am very impressed indeed. Nine of the eighteen tracks are the recordings she made with Gene Deitch and you can hear little snippets of conversation between the songs. Connie sings in a very formal style. This is the 1950's you must remember, before singers started slurring the words and calling everyone Babe etc. It is the subject matter though of hanging around in bars, playing poker and being taken home by strangers that makes the songs ahead of their time. White middle-class women didn't sing about these subjects before. Although a lot of the songs sound quite jolly you can sense an underlying sadness below. There is no other singer like Connie Converse. Just on a couple of songs I could hear vague echoes of Dory Previn, another great singer who came along a lot later who I really like as well. A lot of the songs began life as poems and you can hear that in the very poetic imagery of a lot of the songs. I'll have put one song below so you can judge for yourself.
There is some sort of a happy ending to the story because in 2004 Gene Deitch who had recorded Connie 50 years before was invited onto a radio show. He played one of her songs. Two listeners of the show Dan Dzula and David Herman were inspired to track down her recordings. Gene Deitch was happy to collaborate. Also they found a filing cabinet at Connie's brother's house containing further treasures which Connie had left with him all neatly filed and labelled as if she meant them to be found. The album which I received today was finally released. The legend of Connie Converse is finally beginning to grow.
What actually happened to her though? If Connie was still alive today which is very unlikely she would be now 91. I find it hard to believe that she took her own life. If that was true why did she pack her car so meticulously?. I have wondered if she returned to England where she spent a happy six months. We shall probably never know but I am really pleased that her music is finally after 50 years getting the recognition that it deserves.
Sunday, December 13, 2015
Anyway, I recently discovered another fabulous female singer who I want to tell you about. I found her on youtube whilst looking for something else and I listened to one song which I thought was great and on the strength of that I ordered her album called Colour Green. Her name is Sibylle Baier. As soon as I put the CD in the music machine in my kitchen I knew I had stumbled across something quite wonderful. The sound of her voice is so intimate and crystal clear that you would almost think she was there in the room. Her restrained guitar playing in the background is just perfect. I immediately thought of the early Leonard Cohen albums as a comparison. Sibylle is German but to me she doesn't sound as Germanic as the only other female German singer that I am familiar with which is Nico. Sibylle's English like most German people I know is perfect. I looked on the Allmusic site to find out more about this album and words they used to describe it include calm/peaceful, dreamy, insular,light, springlike, sweet, wistful, delicate, gentle, intimate, bittersweet, earnest, melancholy, poignant and reflective. I couldn't agree more and that has saved me having to think up my own adjectives !. It is a rainy Monday afternoon as I am writing this story and listening to the album and I must say it is perfect rainy day music. I can't be bothered to discuss the whole album song by song but I have put one song below for you to listen to.
I haven't been able to find out much biographical information about Sibylle. All I know is that she was born in Germany in 1950. As well as singing she was also an actress and was discovered by film director Wim Wenders and she had a major role in his road film Alice In The Cities. Between 1970 and 1973 she recorded some of her songs at home on a reel to reel tape recorder. She lost interest in acting and singing and gave it all up to concentrate on bringing up her children. Thirty years after she made the tapes her son Robby discovered them and made cd's for family and friends. He also gave a copy to J Mascis of the band Dinosaur Jr. He realized what great music it was and passed it on to Orange Twin Records who released the album in 2006. Since then Sibylle's reputation as one of the great singer-songwriters has steadily grown although apparently she can't understand what all the fuss is about. There is an interesting footnote to the story. In 2008 Wim Wenders who hadn't heard from her in decades was in a record shop and was astonished to find an album by Sibylle Baier. He contacted her and asked her to write a song for his film Palermo Shooting which she did. Since then though nothing else has been heard from her so I don't think she has any intention of singing again. We will have to be content with her one brilliant album which is Colour Green.
This has been my favourite music of the last week or so. It is a two CD set called The Roots Of Van Morrison, further down the road. A ...